en eed 


Cuglish and Colontal bint daw ‘China | 
Ctehings, Cngravtngs, and 
Color Prints 
Pew Pork and American Wiews 


Che Property of 


firs. KR. C. HcCormick 


and other otoners 


é 


The Anderson Galleries 
FAadigon Avenue at fortieth Street 
Pew Pork 


No. 957 
COLLECTION OF 


Ctchings, Cngrabvings, and 
Color prints 
Mew Work and American BDicws 
English and Colontal Silber and China 


ALSO 


A GROUP OF BRONZES, CLOCKS, WEDGWOOD, COLONIAL AND 
ENGLISH TABLEWARE, AND OTHER 
OBJECTS OF ART 


THE PROPERTY OF 


Mrs. #. C, McCormick 


AND OTHER OWNERS 


TO BE 


SOLD IN THREE SESSIONS 


TUESDAY EVENING AND 
WEDNESDAY AFTERNOON AND EVENING 
MAY % AND 8, 1912 


BEGINNING AT 2:30 anv 8:15 o’cLocK 


On EXuIBITION FROM SatTuRDAY, APRIL 27 


The Anderson Auction Company 


Mapison AVENUE AT FortTIETH STREET 


New York 


ART AND MISCELLANEOUS. 


Conditions of Sale. 


1. All bids to be per Lot as numbered in the Catalogue. 

2. The highest bidder to be the buyer; in all cases of disputed bids the 
lot shall be resold, but the Auctioneer will use his judgment as to the 
good faith of all claims and his decision shall be final. He also reserves 
the right to reject any fractional or nominal bid which in his judgment 
may delay or injuriously affect the sale. 

3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots pur- 
chased to be.immediately resold. 

4, The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which the Anderson Auction Company will not be responsible if the 
lot or lots be lost, stolen, damaged, or destroyed, but they will be left at 
the sole risk of the purchaser, and subject to storage charges. 

5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 

6. All lots will be exposed for public exhibition in our Galleries 
before the date of sale, for examination by intending purchasers, and the 
Anderson Auction Company will not be responsible for the correctness of 
the description, authenticity, genuineness, or for any defect or fault in or 
concerning any lot, and make no warranty whatever, but will sell each lot 
exactly as it is, without recour e. But upon receiving before the 
date of sale expert opinion in writing that any lot is not as represented, 
the Anderson Auction Company will use every effort to furnish proof to 
the contrary, and in default of such proof the lot will be sold subject to 
the declaration of the aforesaid expert, he being liable to the owner or 
owners thereof for damage or injury occasioned by such declaration. 

Y. Terms Cash. Upon failure to comply with the above conditions | 
any sum deposited as part payment shall be forfeited, and all such lots as 
remain uncleared after twenty-four hours from the conclusion of the sale, 
will be re-sold by ‘either private or public sale at such time as the Ander- 
son Auction Company shall determine, without further notice, and if any 
deficiency arises from such re-sale it shall be made good by the defaulter 
at this sale together with all the expenses incurred thereby. ‘This con- 
dition shall be without prejudice to the right of the Anderson Auction 
Company to enforce the contract with the buyer, without such re-sale. 

8. The Anderson Auction Company will afford every facility for the 
employment of carriers and packers by the purchasers, but will not be 
responsible for any damage arising from the acts of such carriers and 
packers. 

THE ANDERSON AUCTION COMPANY, 


MADISON AVENUE AT FORTIETH STREET, 
NEw YORK. 


Priced Copy of this Catalogue may be secured for $1.50. 


ORDER OF SALES 


Tuesday Evening, May 7th, 8:15 o’clock : . «Lots 1-165 


Framed Etchings, Engravings, and Color 
Prints; Drawings and American Portraits 
and Views ; Prints by Whistler, Zorn, Haden, 
S. Arlent Edwards, Stevenson, Skrimshire, 


Webb, Pennell, Drevet, and Nanteuil. 


Wednesday Afternoon, May 8th, 2:30 o'clock, . . Lots 166-350 


English and Colonial Tableware, Clocks, 
Bronzes, Wedgwood, and Silver; an old 
French Girandole, and a Mirror in a Venetian 


Carved Wood Frame. 


Wednesday Evening, May 8th, 8:15 o'clock, .. . Lots 351-500 


Unframed Engravings, Etchings and Mezzo- 
tints by old and modern artists; French 
Lithographs in color; Prints by Bacher, 
Bartolozzi, Drevet, Pether, Charles Turner, 
Samuel Cousins, 8: W. Reynolds, Singleton, 


and other artists. 


ITEMS CHECKED WILL BE 
SOLD FOR YOUR ACCOUSNT. 
WITHOUT RESERVE UNLESS | 
OTHERWISE INSTRUCTED. 


qe” 


THE COLLECTION OF 


HAULS. W. C. PAcCormick and other owrners 


Framed Etchings, Engravings, Color Prints, 
and Drawings 


THOMAS G. APPLETON 


Contemporary Engraver in Mezzotint. 


1 THE DUCHESS OF SUTHERLAND. Signed Proof. 
Mezzotint in colors. Folio. 


FRANCESCO BARTOLOZZI 
English Engraver, born in Italy, excelled in stipple. 


450 2 PARADISE LOST: Ten engravings in stipple after 
Sone Stothard’s paintings. Small folio, unframed. 


60 3 HEDWARD, LORD THURLOW: Lord High Chancellor. 
» ce Line engraving after Reynolds. Folio. 


EUGENE BEJOT and others. 


4 RUE BRISE MICHE: Original etching. Proof. 
LA PROMENADE: Etched by Baron Leys. Proof, 
FAN DESIGN: Etched by Cucinotta after Rudaux. 


MOUTONS EN PLAINE. Etched by Chaigneau. 
(4 pieces. ) 


Ee 11 


CHARLES BIRD 


Contemporary Engraver in mezzotint. 


LA BELLA DI TITIAN. 
Mezzotint printed in colors. Signed proof, No. 52. 


LA BELLE FERRONNIERE. 
Mezzotint printed in colors. Signed proof. 


LA FINETTE: After Watteau. EG 
Mezzotint printed in colors. Signed proof. 


THE NECKLACE. 
‘Mezzotint printed in colors after Zavier Sigalon. 
Signed proof. Unframed. 


REMBRANDT’S WIFE. 
After Rembrandt. Mezzotint printed in egolors, 
numbered 11. Signed proof. Unframed. 


LA COLUMBINA. 
Mezzotint printed in colors after Bernardino Luini. 
Signed proof, numbered 34. Unframed. 


FELIX BRACQUEMOND 
French Artist, Decorator and Etcher. 1833- 


LAPWING AND TEAL. Original etching. 


H. BUNBURY 
English Artist and Caricaturist, 1750-1811. 


SHAKESPEREAN SCENE WITH FALSTAFF. 
Stipple engraving, folio. 


CHARLES EDGAR CHAHINE 
Contemporary French Etcher. 


AVENUE DE CLICHY: Original etching. 
The door of a wine-shop with crowd of figures for 
which the etcher is noted. Signed proof on Japan 
paper, from the Gerbeau collection, with stamp. 
6 


4 gO@_14 VENICE: Ponte Vecchio. Original etching. 
e a ‘ 
Signed proof, numbered 47. 
15 SAN GHIMIGNANO; 
tnd VENICE and ASSISI. 
Three signed proof etchings. Unframed. 


CLAUDE LORRAINE 
Great Landscape Painter, 1600-1682. 


Three etchings from the Wilson collection. 


16 LA DANSE SOUS LES ARBRES: Original etching. 
i 10: 


17 LE BERGER ET BERGERE CONVERSANT. D. 21. 
Seated with flocks near a stream. 
Original etching by the painter. 

18 SCENE DE BRIGANDS. Original etching. D. 12. 
Mountain landscape with brigands. 


CONGRESS AT VIENNA, 1816 


19 CONGRESSE DE VIENNE: Seance des Plenipoten- 

oe TS alae tiaires. 
9 Rare 19th century engraving, with the portraits of 
Talleyrand, the Duke of Wellington and other am- 
bassadors after the Battle of Waterloo. Large folio. 


* Fine original impression on old gilt frame. 


M. CORMACK si 
Contemporary Engraver in mezzotint. . 
so 20 SOPHIE ARNOULD: after Greuze. 
Mezzotint printed in colors. Signed proof. 


W. A. COX 
Contemporary Engraver in mezzotint. 
ge 21 MRS. DRUMMOND SMITH: Signed proof, after Rey- 
Coat. 
ee nolds, : 
Three-quarter length. Mezzotint in colors. 


| 


J. DEAN 
English Mezzotint Engraver, pupil of V. Green. 1750-1805. 


MOSES IN THE BULRUSHES: Mezzo after Reynolds. 
Fine proof, Folio, 1786. 


EUGENE DE BLAAS : 
23 FLIRTATION. Photogravure. Signed India proof. 


NICOLAS DE LARMESSIN 
French Engraver, 1683-1755. 


24 CLAUDE VAUSSIN: Cistercian Abbot. 
| ee Line engraving after Mathée. Folio, fine old impres- 
/ sion, cut to plate mark. 


SIMON DE LA VALLEE 
' French Engraver, flourished 1800. 


25 JEAN DE TROY. Painter. | 
50 Three-quarter length standing by an easel. 
[ oa Engraved after Francis de Troy. Folio, full margins. 


BARON DESNOYERS 
French Engraver, 1779-1857. 


26 NYMPHES AU BAIN. . 
Le Engraved by Desnoyers, Noel and Massol after 
/ Lethiers. Large folio. 


* Proof with Desnoyers’ stamp. 


8 


American Portraits and Views. 


JOHN QUINCY ADAMS. ENGRAvED Portrait, by 
J. Andrews. 


After G. P. A. Healy. Folio, fine original impression. 
ALBANY, N. Y. Birp’s-Eyt View. Lithograph after 
J. W. Hill, by Hatch & Stevens. 


Large folio, printed in colors. Framed. 


* Early and rare view in colors, showing the whole of 
Albany, the Hudson and surrounding country. 


BIERSTADT (ALBERT). Lanpsr’s Prax, Rocky 
Mountains. Engraving after the famous paint- 
ing by Albert Bierstadt. Large folio. 


* Presentation copy from the painter with autograph in- 
scription. Proof before letters. 


AMERICAN PORTRAITS. Gen. Burcovns, by Swaine. 
THOMAS JEFFERSON, by House. India proof. 
GEN. GREENH, old copper engraving. 8vo. 


GEN. GATES, by O’Neill. 8vo. 
W. H. HARRISON, mezzo by Sartain (creased). 


STONEWALL JACKSON and R. E. LEE, by Varin 
and Girardet, India proofs, ete. 
Folio and smaller. (14 pieces.) 


EDMUND CLARENCE STEDMAN: Signed _ photo- 
graph. 

WALT WHITMAN, by 8. Hollyer, signed proof on India 
paper with ‘‘S. Hollyer’s compliments.’’ Framed. 
(2 pieces. ) | 

BIRCH (THOMAS). First STeAMBOAT ON THE DELA- 
WARE. 


On canvas 31 x 181% in., signed and dated 1810. 
*The painting represents the river at Philadelphia with 


lad af the ‘‘Phcenix’’ in the foreground. There were earlier steam- 


ers on the Delaware, but only experimental in purpose, and 
the ‘‘Pheenix,’’ Robert L. Stevens, captain, was the first to 
make regular passenger trips, making its first journey on 
July 5, 1809. The ‘‘Phenix’’ is also noteworthy as being 
the first steamer to navigate the ocean, it having been carried 
by its captain from Hoboken to the Delaware river, by sea. 


9 


36 
(0 
Be 

Jai 

ee ve 


Ais 


ey 68) [JOHN HANCOCK.] 


BOOTH (EDWIN). : American Tragie Actor, 1833-1893. 
PHOTOGRAPH FROM LIFE, nearly life size. 


BROOKLYN, L. I. View from Trinity Church, N. Y, 
Lithograph showing the New York side of the river 


at Wall Street Ferry and a bird’s-eye View of © 


Brooklyn. Drawn by Smith Bros., after J. W. Hill, 
and printed in chromo. Large folio. 1853. Scarce. 
Framed. 
DURAND (A. B.) 
The Declaration of Independence, engraved after 
Trumbull. Large folio, 1820. 
Backed with linen. With key plan. 
* FINE EARLY ORIGINAL IMPRESSION. SCARCE. 
BENJAMIN FRANKLIN. ENgGRAvED PortTRAIT: 
in oval. 
Engraved by Chevillet after Duplessis. 
-Fine impression. Small folio. 


LIFE SIZE BUST PORTRAIT OF FRANKLIN: Oval 
lithograph. Framed. 


Bust. 


THe Hancock Houses, Boston. 
Now destroyed. 


Lithograph by Bufford. Folio. 


3 HUDSON RIVER. View of the Hudson River, Tappan 


ge? 
Or 
t V 


Bay, taken from Rocky Mount, near Sing Sing. 
By Robert Havell. 50 x 86 inches. On canvas. 


Framed. 


* The view shows the whole of the Tappan Sea, the oppo- 
site bank, a stretch of country on the near bank and the 
village almost hidden in the trees and foliage. Signed and 
inscribed on the back. Undated but probably 1840. Robert 


Havell, the artist, is better known for his work in transferring 


the drawings of J. J. Audubon for the original edition of 
‘Birds of America.’’ He came to America and the present 
painting was done from nature. It is probably one of the 
finest views of the Hudson in existence. 


Go 4) NATCHEZ, MISSISSIPPI. Tur Crry Hore, Main 


A 
4 


Street, Natchez. 


Drawn by J. L. Collard. Rare lithograph by Bufford. 
CoLorED. Folio 


Ye 


aaa * ee 
6 oe Ne 


41 NEW HAVEN, CONN. Birp’s-Evs View: Large colored 

{02 # lithograph, surrounded by eight smaller views of 

»). ov West and East Rock, Yale College, the Common 
and others. 


l U 
LYV pe Large f folio. Very Scarce. Framed. 


os 
nae i THC THOMAS JEFFERSON. By Cornelius Tiebout. After 
a Peale. 


Folio. First stats. <A rare engraving but repaired. 


43 SHANTIES ON THE HARLEM. 1882. 
soe 3 
| / Etching. By Charles A. Platt. 12mo. 


* A New York view. 


44 WEST POINT. View of West Point, United States 

gC__— Military Academy, painted by Robert Havell from 

oe Fort Putnam. CoLorRED AQUATINT published by 
J L. R. Menger, N. Y. Folio, on a stretcher, 1848. 


~* A VERY RARE COLORED HupDSON RIVER VIEW, showing the 

ps buildings at Westpoint, Port Putnam and surrounding coun- 
try looking towards Newburgh, steam and sail boats in the 
river. 


— APE 


DRAWINGS 


ASSUMPTION OF THE VIRGIN. 


Old pen and ink drawing, attributed to Leonardo da 
Vinei. Folio. 


ALLEGORICAL SCENE. 


Representing the visit of Kings to a Saint. Sepia. 
drawing attributed to Raphael, worn and stained. 
Folio. 


—— Said to be from the Collection of Prince Colonna. 


47 PAINTING ON PORCELAIN. 


Girl in old French Costume, profile, half length. 


* From the Collection of S. L. Clemens (‘‘Mark Twain’’) 
with a certificate to that effect signed by A. B. Paine, his 
literary executor. 


\3 


11 


ROBERT DIGHTON 
English Portrait-painter and Caricaturist. 1732-1814. 


48 PORTRAIT OF CAPTAIN LOCKE. Full length in 


7 hace military costume. 


An exquisitely finished water-color drawing. Folio. 
Signed. | 


49 PORTRAIT OF MR. BLYTHE. Full length in mid- 
shipman’s uniform. 


y. 4 22 Water-color drawing similar to the above. Signed 
and dated, 1806. 


PIERRE DREVET 
French Engraver. 1664-1739. 
yo 20 LEONARDUS DELAMET: Divine. 
oe ae Line engraving after H. Rigaud. Folio. 


51 ADRIENNE LECOUVREUR: Tragic Actress. 


ane Mistress of Marshal Saxe. Half length in oval, 
eae A 0 5 
/ Fine impression. Engraved after Coypel. 


ALBRECHT DURER 
German Painter and Engraver. 1471-1528. 


52 COAT OF ARMS WITH THE SKULL. B, 101. 


Original impression of this rare engraving, but part 
| oe of the top and the right side of the plate cut away. 


* From the Wilson collection. 


GERARD EDELINCK 
French Engraver, born at Antwerp. 1640-1707. 


53 ISRAEL SILVESTRE: Engraver, executed many of 
Callot’s works. 


y oe Bust in oval with view of Old Paris beneath. 
Engraved after Le Brun. 


12 


Ss. ARLENT EDWARDS 


Contemporary American Engraver in Mezzotint. 
54 SIMONETTA VESPUCCI: After Pollajuolo. 
eo Mezzotint printed in colors. Signed proof. Plate 
ut 7 a ale destroyed. ) 
55 LADY HAMILTON: After Romney. 
oO Oval. India proof in colors on large paper. Plate 
oy: oom destroyed. 
06 THE YOUNG PRINCESS: After Netscher. 
0 Y co Mezzotint printed in colors. Signed proof, plate 


destroyed. 
57 LADY HAMILTON: After Romney. 
ea Oval. India proof in colors. Plate destroyed. 


ENGRAVINGS 
58 RICHARD MEADE, M.D. Mezzo by Houston. 
CANALETTO, by Piazzetta. 
SIR DAVID WILKIE. Line engraving. 
i LA PRISH, Etching by Lecouteux. 
| BEGUILING OF MERLIN. Etching by Lalauze. 
After Burne-Jones, remarque proof. 


SLEEPING BLOODHOUND, by C. G. Lewis after 
Landseer. 
(6 pieces. ) 


ETCHINGS 
59 THE ISLAND OF BOUIN. By Teyssonnieres after 
n a4 Vernier, on vellum. 
THE FAVORITE CALF. By R. W. Macbeth. 
Signed proofs. Large folio. Framed. (2) 
60 FEEDING CALVES. By Robertson after Floyd. 
| Ue TOLLING THE BELL. By A. Turrell after Neill. 
4 RIVALS. Photogravure after Andreotti. 


All signed proofs. Large folio framed. (3) 
13 


61 POTATO GATHERER, by Lecouteux after B. Lepage. 
BELLISSIMA, by Gaugengigl, signed proof. 


MADONNA AND CHILD, by Leenhoff after Lippi. 
Signed proof. 


£0 LANDSCAPE, by E. Yon. 
THE OLD CHATEAU, by P. Abattuci, signed proof. 
ST. JOHN, by Flameng, PEDDLER, School of Rem- 


brandt. 
(7 pieces. ) 


JOHN FINLAYSON 
English Painter and Mezzotint Engraver. 1730-1776. 


62 DAVID GARRICK: Mezzotint after. Reynolds. 
Half length, leaning on a sill. Cut down. 
of 


* Very fine impression. 


CAMILLE FONCE 
Contemporary French Etcher. 


63 LE LAC. LANDSCAPE WITH LAKE. 
Signed remarque proof etching on parchment. 


iE oo * Showing influence of Corot. 


FERDINAND GAILLARD 
French Line Engraver. 1834-1887. 


0 64) LE VIERGE ET L’ENFANT JESUS. 
_— Engraved after Botticelli. India proof, with title in 
open letters. Folio. 


_E. GULLAND 
Contemporary Engraver in mezzotint. 
65 LADY SELINA MEADE, | 
ii ere Mezzotint printed in colors. Signed proof. 
14 . 


SIR FRANCIS SEYMOUR HADEN 
Great English Etcher. 1827-1910. 


66 YACHT TAVERN ERITH. H. 112. i? 
Etching on zinc. SIGNED PROOF. LD 
[9 metre * Erith from the baleony of the Yacht Tavern, etched in 
August, 1865. 


67 HARLECH. The Mezzotint. H. 212. 
SIGNED PROOF, FINE IMPRESSION, on paper with un- 


ye S fo trimmed margins. t/ 


68 A VILLAGE FORD. H. 216. 
With one cow in the water. SIGNED PROOF ON LARGE 


3 a oe PAPER. / (YW 


69 COWDRAY CASTLE—WITH GEESE AND DIS- 
70 TANT COWS. H. 221. 

4 ore With six geese near the stream. Framed. 

*Signed proof on Holland paper. 


70 NEAR THE GRANDE CHARTREUSE. After Turner. 

H. 56. 
50 Drypoint. Seymour Haden owned the Turner draw- 
Wy om. ing from which this was made. SIGNED PROOF. 


71 KENSINGTON GARDENS: The small plate. H. 12. 
. | Intermediate proof of the second state before the 
2 if as additional work for the third state. SIGNED PROOF. (¢ 


* Lord Harrington’s House from Kensington Gardens. 


72 AMSTELODAMUM: ‘‘Hic Terminus Haeret.’’ H. 43. 
ee An early impression of the published state, having 
ae the scroll and sky printed in red. Stamped proof. 


73 KENARTH, SOUTH WALES. H. 64. 
50 The plate was grounded for mezzotint but only par- 
u— tially scraped. 


74 NEWCASTLE IN EMLYN. H. €2. 
5 es With the square house on the hill. 
en 
qo) SHEPPERTON. H. 80. 


50 Etched in 1864. Stamped proof, — 
Oe ae 15 


THOMAS HADEN OF DERBY. H. 58. 
STAMPED PROOF OF THE FIRST STATE. 
Thomas Haden was the Grandfather of the artist. 


THE TANK CINTRA. H. 192. Bepgpt 


SIGNED PROOF OF A FINE IMPRESSION. 
HANDS DRYPOINTING. H. 160. 
Supposed to be the hands of the 


SIGNED PROOF. 
artist. 


HANDS ETCHING: ‘‘O Laborum Dulce Lenimen.’’ 
H. 94. 
With the date 1865 in one of the tools. 


RAILWAY ENCROACHMENT. H. 74. 
Only state. With the etched inscription ‘‘ Kew, 1864.’” 
Proor with stamped signature and artist’s mono- 
oram. 


HOUSE OF THE SMITH. H. 63. 
Etched in 1864. First of two published states. 


KIDWELLY CASTLE. H. 25. 
Etching sketched from the railway while waiting for 
the train. 


AXEL H. HAIG 
Contemporary Swedish Etcher 


LAON: With Cathedral in the background. 
Folio, signed proof. 

DALHEM, GOTTLAND, SWEDEN. Cathedral Interior. 
Some of the decorations in this cathedral were done 
by Haig. 

Signed proof. Folio. 

AMIENS CATHEDRAL: In the Aisles. 

Folio, signed proof. 


KIRKSTALL ABBEY: In the Cloister. 
Folio, signed proof. a 
16 


5094 


am 


95 


noe 


ON THE REGENT’S CANAL: London. 
Small folio, signed proof. 


FLODA: With the Church in the background. 
Small folio, signed proof. 


ST. ETIENNES A BOURGES, 
Signed proof. Folio. 
POET’S CORNER, WESTMINSTER ABBEY. 
A SWEDISH LAKE. 
4to. Signed proofs. 


2 pieces. Unframed. 


GEORGE HENRY HARLOW 
English Painter. 1787-1819. 
SIR DAVID WILKIE: bust, G. H. Harlow, del. 
Impression from a Private Plate. 


JOHN JONES 
English Mezzotint Engraver. Worked 1775-1797. 
CHARLES JAMES FOX. 


Mezzotint.after Reynolds. Folio. Cut close. Framed. 


ANGELICA KAUFFMAN 
English Artist. 1741-1807. 
ABELARDO E ELOISA: Engraved by E. Pedro. 
Circular print in square gilt frame. 4to. 


THOMAS LUPTON 
English Engraver. 1791-1873. 
FLORA MACDONALD: After Goubaud. 
Bust. Mezzotint printed in colors. 
gilt frame and shadow box. 


Large folio in 


JAMES McARDELL 
English Mezzotint Engraver, born in Ireland. 
GEORGE DUKE OF BUCKINGHAM 
BROTHER FRANCIS, 1636. 
Mezzotint after Vandyck. Fine early impression. 
Framed. 


1729-1765. 
AND HIS 


17 


PERCY H. MARTINDALE 


pee 96 THE DAUPHIN. After Greuze. 
[ ( re 3 Mezzotint printed in colors. Folio. Signed proof. 


CLAUDE MELLAN 
French Painter and Engraver. 1601-1688. 
97 SUDARIUM OF SAINT VERONICA. 
The handkerchief of S. Veronica with the face of 
eT, Christ, engraved in a single spiral line beginning 
/[ 5 ae with the tip of the nose. Mellan’s most famous plate. 
Folio. 
* From the Collection of Robert Dumesnil. Fine impres- 
sion before the crack in the plate to the left. 


FRED. MILLER 
Contemporary American Engraver in mezzotint. 
98 PERDITA ROBINSON. After Romney. 
) Mezzotint printed in colors. Signed proof. Nearly 
/ / pee half length. Folio. 


J. F. MILLET 
French Artist. 1815-1873. 
99 LA FILEUSE AUVERGNATE: Original etching. D. 20. 
fag!) Printed in brown tints on papier vergé. Plate de- 


[ Lae stroyed. 


RAPHAEL MORGHEN 
Italian Engraver. 1758-1833. 


100 THE TRANSFIGURATION. Line engraving aiter 
. j 5 Os ic OF Raphael. First PUBLISHED STATE. 


101 LA POESIE, engraved after Gavin Hamilton, and the~ 
"game subject engraved by Felsing after Kohler. 


Ob. ii 
/ Se ee Folio. (2 pieces.) 
FREIDRICH MULLER 
German Engraver. 1782-1816. 
102 THE SISTINE MADONNA. VA 
Fe \ Line engraving after Raphael. J 


h yi se «i Impression before the retouch. Large folio. 
eS | 18 


106 


R. NANTEUIL 


French Engraver, pupil of De Champaigne. 1630-1678. 


LOUIS HESSELIN: Councillor of State. 


Bust in oval, 1658. 
life. 


First state. Engraved from 


GODEFROI MAURICE DE LA TOUR D/’AU- 
VERGNE, DUC DE BOUILLON. 


Engraved from Life, April 14, 1657. First srats, 


but cut close and the name written in ink on the 
blank tablet. 


FRANCOIS DE VANDOSME, DUC DE BEAUFORT 


ET PAIR DE FRANCE. Yue 
Engraved after Nocroit. Fine impression of the 
FIRST STATE. Folio. 

E. NIELAND 


PRINCESS MARY: (Probably after Van Dyke.) 
Mezzotint printed in colors. Signed proof. Unframed. 


JOSEPH PENNELL 


Contemporary American Etcher. 


RIALTO BRIDGE: VENICE. 


Original etching. Proof printed and signed by Pen- 
nell. Early and rare. 


LANDING PLACE, LEGHORN. Original etching. 
Proof printed and signed by Pennell. 


THE LIGHT LAGOON, VENICE. 
Original etching. Proof printed and signed by Pen- 
nell, Early and rare. 


* The above prints were done by Pennell while in Venice 
with Whistler and working under his influence. 


19 


GU 1a 
/ poe 


rm 120 


PHOTOGRAPHS 


RUYSDAEL. Carbon Print—The Waterfall. 
Framed in oak. Height, 48 inches; width, 60 inches 
MURILLO. Carbon Print—The Immaculate Concep- 
tion. 
Oak and gilt frame. 
Height, 57 inches; width, 36 wches 
RAPHAEL. Carbon Print—The Transfiguration. 
Framed in oak and gilt. 
Height, 57 inches; width, 36 inches 


REMBRANDT VAN RIJN 
Dutch artist. 1606-1669. 


UTENBOGARDUS. Etched portrait. 
Original impression but cut to oval. 


VENUS AT THE BATH. Etching. B. 201. 
Original impression but cut down and repaired in 
bottom left corner. 
LE JEU DU KOLEF (Golf). B. 125. 
Original etching. 
THE CARD PLAYER: Original etching, from the 
Hoe Collection. B. 1386. 
THE THICKET: Copy by Wilson, circa 1800. B. 222. 
PORTRAIT OF REMBRANDT, etched by Jacquemart. 
REMBRANDT: Lithograph, proof, by Fairland, 1826. 
(2 pieces.) 


WIFE OF THE BURGOMASTER SIX. 
Etched by R. J. Arendsen. Signed proof on Japan 
paper. Mounted, folio. Unframed. 


REMBRANDT IN HAT AND FEATHER. Photo- 
graph. 4to. 


Bo2t: 


20 


OCTAVE DE ROCHEBRUNE 


Famous French etcher of architectural subjects. 
121 CHATEAU DE CHAMBORD. Two different etchings, 
showing two aspects. 
(-D Large folio. Framed. (2) 
ws ea * Two of Rochebrune’s masterpieces. 


JACOB RUISDAEL 
Dutch Landscape Painter. 1630-1681. 


122 DEUX PAYSANS ET LEUR CHIEN. Original etch- 


40. ing. 
| Second state. Woodland scene with peasants. 


W. DENDY SADLER 
Contemporary English Painter. 


. 123 THE CHRISTENING. Etched by Mongin. 
aS) Proof signed by Painter and Etcher. Folio. 


LEON SALLES 


124 LADY JERSEY AND CHILD. 


/ OF * —s Mezzotint printed in colors, after Chalon. Signed 
proof on India paper. Unframed. 


OTTO SCHNEIDER 
Contemporary American Etcher. 
125 DAY DREAMS: Dry Point, proof. 
a Girl, half length. Issued in limited edition. Folio. 


ALFRED J. SKRIMSHIRE 
Contemporary English Mezzotint Engraver. 
yo 126 TRUE LOVE: Signed proof after Lawrence. 
lo ye Mezzotint printed in colors. 
21 


oC 
a 


) , od _ 129 


ct 130 


131 
132 


133 


134 


SPORTING PRINTS: FOX HUNTING 

THE FIRST TEN MINUTES: Shaking off the Cock- 
tails. | 

A STRUGGLE FOR THE START. 


SYMPTOMS OF A SKURRY IN A PEWY 
COUNTRY. 


THE DEATH. Colored aquatints. (4 pieces.) 


WILD DUCK SHOOTING. 
Lithograph in colors. Small folio. 


ERNET STAMP 
Contemporary Engraver in mezzotint. 
DUCHESS OF RUTLAND. After Reynolds. 


Mezzotint printed in colors. Large folio. Framed. 


LADY BAMPFYLDE. After Reynolds. 


Mezzotint printed in colors. Large folio. Framed. 


e 4 


F, G. STEVENSON 
Contemporary English Engraver in mezzotint. 

HENDRICKJI STOFFELS: After Rembrandt. 

Half length in crimson fur trimmed robe. 

Mezzotint printed in colors. SIGNED PROOF. 
MASTER COSWAY: After Reynolds. 

Lace collar and blue cloak over one shoulder. 

Mezzotint printed in colors. SIGNED PROOF. 
FRANCIS VILLIERS: After Van Dyck. 


Full length in blue satin dress. 
Mezzotint printed in colors. SIGNED PROOF. 
bered. 16. 


YOUNG LADY OF THE FRENCH COURT: [of 
Louis X Vth. | 


After Nattier. Low-cut blue gown, lace trimmed. 
Mezzotint printed in colors. SIGNED PROOF. 
ide 


Num- 


135 


136 


137 


138 


139 


140 


141 


PRINCE JACOB: As a child, half length, after Van 
Dyck. 


Mezzotint printed in colors. SIGNED PROOF. 


QUEEN VICTORIA: at the age of four years. 
Full length in blue coat and hat in a landscape. 
_ Mezzotint printed in colors. SIGNED PROOF. 
KING EDWARD VII. 


-As a boy in naval costume. 
Mezzotint printed in colors. SIGNED PROOF. 


MASTER HOPPNER. 


Mezzotint printed in colors after Hoppner. Signed 
proof. Unframed. 


SIR ROBERT STRANGE 
English Engraver. 1721-1792. 
THE INFANT JESUS. After Guido. 
Line engraving. Proof Before All Letters. 


Par eisso rT 
French Artist. 1836- 


FIRST PAIR OF TROUSERS, with an impression 
from the defaced plate. 


VIRGIN AND INFANT JESUS: Etched by Jasinski 
after Botticelli. Signed remarque proof. 
FRENCH NOBLEMAN. Etched by Louis Lucas. 
Signed proof. 


LADY HAMILTON: Etched by Rajon after Romney. 
(4 pieces. ) 


ANTON VAN DYCK 
Flemish Painter. 1599-1641. 

LUCAS VORSTERMANS. Etched by Van Dyck. 
Fine early impression before the erasure of part of 
the imprint. From the Fountaine and Wilson col- 
lection. 

23 


142 JUSTUS SUTTERMANS: etched by Van Dyck. 
From the Fountaine and Wilson collection. 


143. JOANNES BREUGEL, Flemish painter. 


FRANCISCUS FRANCK, Flemish painter, from the 
Wilson collection. 


Both etched by Van Dyck. (2 pieces.) 
144 JOANNES SNELLNIX, painter, etched by Van Dyck. 
ANTON VAN DYCK, etched by Vorstermans. 
(2 pieces. ) 


145 OLD SILENUS, led by youth and maiden. — 


Engraved by Bolswert. Fine original impression. 
Folio. 


LUCAS VAN LEYDEN 
Dutch Painter, friend of Durer. 1494-1533. 


146 THE MILKMAID. Engraving. 1510. B. 158. . 
Original impression, repaired. 


147 LA DAME AU BOIS. B. 146. 


Engraved by Van Leyden. 
With collector’s stamp. 


THE ENTOMBMENT: THE RESURRECTION. 
(The Passion. ) 


Copies after Van Leyden. Unframed. (3) 


EUGENE VELY 


148 MRS. R. B. SHERIDAN: Etching after Gainsborough. 
Signed proof printed in colors. On vellum. 


C. VERMEULEN 
Flemish Engraver. 1644-1702. 
149 HENRICUS DE LA MARCHE DE PARNAC: Abbot. 


Bust in oval, engraved after Sparrewer. 
24 


150 


151 


152 


153 


154 


155 


156 


157 


CORNELIUS VISSCHER 
Flemish Engraver. 1618-1658, 


ACHILLES DISCOVERED AMONG THE MAIDENS. 


Line engraving after Rubens. Fine old impression. 
Folio. 


FRANCIS S. WALKER 


MASTER GEORGE S. DOUGLASS. 


Mezzotint printed in colors after John Hoppner. 
Signed proof, numbered 4. Unframed. 


WILLIAM WALKER 


KENSINGTON PALACE. Etching. 
Signed proof on thin Japan paper. 


JOHN COTHER WEBB 
Contemporary English Mezzotint Engraver. 


PRINCE CHARLES: after Van Dyck. 
Mezzotint printed in colors. Signed proof. 


JAMES McNEILL WHISTLER 
Great Painter and Etcher. 1834-1903. 


DROUET, Sculptor. Japan proof. W. 53. 
With etched signature, Whistler, 1859. 
Heavy drypoint work, and with the vertical lines to 
the left of the plate. 
* One of Whistler’s most beautiful plates. 
JO’S BENT HEAD. Etching. W. 370. 


The head of a young girl with flowing hair, bent 
forward. 


LITTLE ARTHUR. Etching, early impression. W. 13. 
One of the most charming etchings of children. 


WESTMINSTER BRIDGE. Etching. W. 36. 


Early impression, but slightly creased. 
25 


158 MAUNDER’S FISH-SHOP, CHELSEA. Lithograph. 
An open shop counter, in front of which are two 
women and a child. The name of the shop above, 
over which are three windows. 

159 ETCHINGS: DEFACED PLATES. Unframed. 

41 defaced plates, including Jo, Fumette’s Bent 
Head, Whistler, Swinburne, the Piano, Little Velvet 
Dress, Madame Leyland, Agnes, Elinor, Under Old 
Battersea Bridge, Thames Sketch; and some not de- 
scribed by Wedmore, as Nude Girl with arms raised, 
Man Reading, Fishing, ete. (41) 


* From the original plates. 


W. ZEISSING 


160 BRIDGE ON THE RHINE. Signed proof etching on 
thin Japan paper. 


ANDERS ZORN 
Swedish Etecher. 1860- 
161 RACCOMMODAGE. OD. 198. 


Nude woman seated mending a garment. Etched in 
1906. 

SIGNED PROOF ON LARGE PAPER WITH UNTRIMMED 
MARGINS. 


162 MODELE EN BUSTE, RIANT. D. 134. [Bust of & 
laughing girl. | | 
Second (finished) State. Etched in 1898. Plate de- 
stroyed after 30 impressions. SIGNED ARTIST’S PROOF. 
163 JOYEUSE DE BILLARD: Mrs. Bartlett, wife of Paul 
Bartlett. 
At the Billiard Table. D. 136. Etched in 1898. 
SIGNED ARTIST’S PROOF ON LARGE PAPER. 
164 PAUL VERLAINE. Nearly half length. D. 92. 
Famous French Poet. One of a limited issue. 


165 MADAME SIMON: second plate. D. 66. 
One of a limited issue. 


26 


eee 


SECOND SESSION 


English and Colonial Tableware, Clocks, Bronzes, 


166 


167 


168 


169 


Wedgwood and Silver; an old French Giran- 


dole, and a Mirror in a Venetian 


Carved Wood Frame. 


ADDERLEY DECORATED TWO-HANDLED VASE. 
H. 10 in. 


ZSOLNAY EIGHT-HANDLED GREEN VASE. 
HH. 12: in. 


PAIR FRENCH PORCELAIN VASES. (4 pieces.) 


SMALL PINK MINTON DISH. 
TWELVE MINATURE PORCELAIN SLIPPERS. 


FIVE MINIATURE PORCELAIN COVENTRY 
SOUVENIRS. 


SMALL CHINA VASE AND SAUCER WITH RED 
RIM. 


BREAKFAST CUP AND SAUCER VIOLET DECO- 
RATION. (22 pieces.) 

DECORATED PLATE on a brass stand. 

FIVE GLASS CUP PLATES. 

TUB SHAPE VASE. 

PAIR MOTHER-OF-PEARL SHELLS. 

PEPPER AND SALT SHAKERS AS FIGURES. 

PAIR SMALL ENGLISH BOWLS WITH AMORINI 
(damaged). (15 pieces.) 

MANTEL ORNAMENT OF BOHEMIAN GLASS, set 
round with prisms. 

CHOCOLATE POT. 


PAINTED CHINA CELERY DISH. (8 pieces.) 
27 ; 


170 


aba 


172 


173 


174 
175 


176 
177 


“118 


172 


TWO CUT GLASS OLIVE DISHES. 
ETCHED GLASS JUG. 
GLASS FLOWER VASE, flaring mouth. (4 pieces.) 


HAVILAND CHINA: 
White with pink ribbon and garland decoration. 
Tureen and cover, 7 soup plates, 2 oval platters, 3 
breakfast, 1 dinner and 12 butter plates, salad, gravy 
and fruit bowls (lattice edge of the latter damaged). 
(30: pieces. ) 
TWELVE BLUE MINTON PLATES. 
TEN BLUE MINTON CUPS AND SAUCERS. 
TWELVE OCTAGONAL MINTON PLATES. 
THREE SMALL BLUE MINTON DISHES. 
(387 pieces. ) 


ELEVEN PINK MINTON CUPS AND SAUCERS. 
(Base of two saucers damaged.) 


ELEVEN SQUARE HAVILAND FRUIT PLATES. 


TEA SET, Lavender ribbon and garland decoration. 
Consisting of teapot, sugar dish, cream pitcher, 3 
cups and 9 saucers. 


SEVEN AFTER DINNER CUPS AND SAUCERS. 

SMALL DRESDEN PITCHER. 

THREE SMALL DRESDEN PLATES AND A 
LARGE SAUCER. (27 pieces.) 

TWELVE PLATES DECORATED WITH BIRDS. 


TWELVE PLATES with bleu de-roi rims. 
Signed D. & Co. 


ELEVEN DINNER PLATES, turquoise rim, rose 
medallions. . | 


TEN DINNER PLATES, the rims ornamented with 
wreaths of flowers. | 
28 


180 


181 


182 
183 


184. 


185 


186 


187 


188 


189 


SEVEN LIMOGES SOUP PLATES. 
TEN LIMOGES SAUCERS. 
TWO SMALL LIMOGES SAUCERS WITH GILT 
RIMS. (19 pieces.) 
PAIR OF COVERED DRESDEN JARS. 
Knob of one cover missing. Height, 13 inches 


LARGE CANTON CHINA TEAPOT. 


PAIR DECORATED BISQUE STATUETTES. 
Peasants, youth and maiden. Height, 30 inches 
LARGE DRESDEN FRUIT BOWL UPHELD BY 
THREE AMORINI. 


Decorated. 
Diameter, 14 inches; height, 9 1-2 inches 


EIGHT HAVILAND CHINA BREAD AND BUTTER 
PLATES, green and gold. 


PAINTED CHINA TEA SET OF THREE PIECES. 
(No cover to teapot.) (11 pieces.) 


SATSUMA SHALLOW DISH. 

SATSUMA TEAPOT (no cover). 

JAPANESE EGGSHELL CUP AND SAUCER. 
M@UR SMALL JAPANESE VASES. (8 pieces.) 


LARGE JARDINIERE. 


Blackberry fruit and leaf decoration on a white 
ground. Height, 13 ches 


TALL FLOWER VASE. 
With bird and flower decoration on an ivory ground. 
Height, 19 inches 
MANTEL GARNITURE. 
Three pieces, including two vases and an oblong 
bowl. a 
Chrysanthemum and hawthorn decoration on an 
ivory ground 
Vases, height 12 inches; length of bowl, 12 inches 
29 


190 


191 


192 


193 


194 


195 


196 


198 


JARDINIERE. 
Brown with bold nasturitium decoration, signed. 
Finished with turquoise blue glaze on the inside. 


Height, 11 1-2 inches 


TORTOISE SHELL PARASOL HANDLE AND TIP. 
Twisted strands upholding a ball. 


TORTOISE SHELL TOILET SET. 


For the dresser, boxes, trays, comb, brushes, ete. 
(Stem of one tray repaired.) (13 pieces.) 


WIDE-MOUTHED GOLFE-JUAN VASE, BY CLE- 
MENT MASSIER. 


Urn-shaped with two small handles, covered with a 
rich glaze of deep red and blue splash. 
Height, 10 wnches 


URN-SHAPED PORCELAIN VASE. 


Decorated with sprays of roses, birds and butterflies 
on a blue and white clouded ground; of wide mouth, 
in turquoise blue glaze. Height, 32 wmches 


PITCHER OF GRAY SALT-GLAZE. 


Decorated with figures in relief scrolls and bands in 
blue. 


GOLFE-JUAN VASE, BY CLEMENT MASSIER. 


Tall urn-shaped with two handles, covered with a 
rich glaze of deep orange and blue splash. 
Height, 33 inches; diameter, 12 inches 


LARGE KIEN LUNG CUP WITH ONE HANDUE, 


Landscape and floral decoration in blue and white 
on orange peel surface. Made for importation, prob- 
ably into Holland. 

Height, 6 inches; diameter, 5 wmches 


JAPANESE CLOISONNE PLAQUE. 
Storks and peonies on a turquoise ground. 


Diameter, 12 inches 
30 


190 


200 


201 


202 


204 


205 


206 


207 


208 


ARITA SHALLOW DISH. 


Square shape, made in Fukugawa about 1825. 
Blue and white birds on a celadon ground. 


Diameter, 14 inches 


CHINESE PORCELAIN VASE AND TEAKWOOD 
SLAND. 


Black Hawthorn Family (reproduction) with lotus 
and chrysanthemums on a black ground divided into 
panels by white lines. Height, 16 inches 


CEREMONIAL TEA BOWL. 


Blue enamel decoration with conventional peonies 
outside, the inside showing drops of shaded pink. 
With bag of old Japanese brocade. (Repaired.) 
Made in Awata Kioto, date 1800. 


PEAR-SHAPED VASE AND TEAKWOOD STAND. 


Celadon ground powdered with flowers, birds and 
butterflies in bright colors; Elephant’s head handles. 


Height, 17 1-2 wnches; diameter, 9 inches 


VASE OF ITALIAN MAJOLICA. 
Decorated with blue having a moulded handle. 


GOLFE-JUAN VASE, BY CLEMENT MASSIER. 


Broad shouldered, covered with a rich glaze of red, 
yellow and green splash. Height, 16 inches 


SMALL FLOWER VASE. 


Decorated with a mottled glaze of yellow and pale 
ereen. (Slightly cracked.) Height, 7 inches 


OLD CARAFE AND TUMBLER. 


FIVE CUT-GLASS DECANTERS. 
One without stopper. 


GLASS BEAKER. 


Decorated with translucent enamel of blue, red and 
gold. 
31 


210 


211 
212 


213 


214 


215 


216 


217 


218 


219 


220 


221 


EIGHT OLD CORDIAL BOTTLES WITH ORIGI- 
NAL STOPPERS. 
Six large etched glass bottles, and two small bottles 
of plain glass, with gilt stoppers. From Quebec. 
Height, 6 1-2 and 4 inches 


TWO SMALL ALPHABET PLATES. 
(Children Scenes. ) 


TWO GREEN AND WHITE SAUCE BOATS. 


SMALL BLUE AND WHITE CHINA PITCHER. 
Height, 4 inches. 
SMALL ROYAL WORCESTER PITCHER. 
Height, 4 inches 
SMALL COPPER LUSTRE PITCHER. 
With cream band. Height, 3 1-2 wches 


GOLD LUSTRE CREAM PITCHER. 
Raised flowers in color on a blue band. 
Height, 51-2 inches 
LARGE SILVER LUSTRE TEAPOT. 
Cover nicked. 
BLUE STONE CHINA TEA SET. 
Teapot, sugar-bowl, cream pitcher, waste bowl, five 
cups and five saucers. Landscape decoration with 
buildings and figures. 14 pieces. 


NEW HALL PITCHER. 


Black decoration on pink. Height, 5 1-2 mches 
DOG TOBY PITCHER. 
Choice piece. | Height, 5 1-2 wnches 


ORANGE CANTON HOT-WATER PLATE. 
Diameter, 10 mches 


COPPER LUSTRE PITCHER WITH YELLOW 
BAND. 

Raised Flowers. Height, 5 inches 

32 


222 


223 


224 


229 


226 


227 


228 


229 


230 


231 


232 


233 


COPPER LUSTRE PITCHER WITH RED BAND. 
Lafayette’s head and Surrender of Cornwallis. 
Height, 4 inches 
FINE GOLD LUSTRE PITCHER. 
Decorated with colored flowers in panels. 
Height, 41-2 inches 
TWO BLUE AND WHITE ‘‘BOSTON MAILS’’ 
PLATES. 
Showing ‘‘Gentlemen’s Cabin’’ 1841. 


TWO ‘““BOSTON MAILS’? SAUCERS. 
To match the preceding. 


MARTHA WASHINGTON ‘‘CHAIN PLATE.”’ 
Haviland reproduction made for the Centennial. 
MARTHA WASHINGTON LARGE ‘‘CHAIN CUP 

AND SAUCER.”’’ 
To match the preceding. Haviland reproduction. 


OLD COVERED SUGAR BOWL. 
Strawberry and leaf decoration. (Base cracked.) 


CASTLEFORD TEAPOT WITH ORIGINAL COVER. 


White paste, cartouches of Venus and Aurora out- 
lined in blue. Cracked. 


CASTLEFORD CREAM PITCHER. 


From Lincoln, England. Cream paste, fluted body 
tipped with green line. Height, 5 inches 


CASTLEFORD CREAM PITCHER. 

White paste, classic shape, picked out in dark blue 

lines. Height, 6 wnches 
SMALL DARK BLUE PITCHER. 

With view of the Tomb of Franklin. 

Height, 4 inches 

SMALL BOWL OF OLD CHINA. 

Heavy decoration of deep blue. 


Diameter, 4 1-2 inches 
30 


234 


239 


236 


237 


238 


239 


240 


241 


242 


SWANSEA PITCHER. 
Shaped as a grotesque head, white paste splashed 
with black, with raised spots of red and green. 
Height, 5 inches 
SMALL STAFFORDSHIRE DECORATED GROUP. 


Stag of white paste with carmine splashes resting 
at the base of a tree (as a vase). Height, 5 inches 


BLUE AND WHITE STAFFORDSHIRE CREAM 


PITCHER, 
Shaped as a cow, decorated with a landscape in blue 
after Chinese influence. Hewght, 5 1-2 wmches 


TWO SMALL BELLARMINE JUGS. 
From Alkmaar, Holland. Height, 7 1-2 wnches 


SMALL BELLARMINE JUG. 
From Alkmaar, Holland. Height, 7 1-2 mches 


LARGE BLUE AND WHITE PITCHER. 


Commemorating the visit of Lafayette in 1824. 
With Head of Washington on one side and Lafayette 
on the other (chipped on lip and base). 
Height, 8 inches 
* One of the most difficult pieces to secure in the old blue 
and white china. 


TWO GROTESQUE STAFFORDSHIRE HEADS. 


Set on green bases as supports for a chest of drawers. 
From Stafford, England. Base of one restored and 
glaze at the base of one piece damaged. 

Height, 6 inches 


SWANSEA PITCHER. 


Shaped as a grotesque head in front, the remainder 
of the body covered with bulging red and yellow 
spots. Height, 5 inches 


LOWESTOFT CUP AND SAUCER. 


Decorated in black with American eagle and motto. 
Rare. 
34 


243 


244 


245 


246 


247 


248 


249 


250 


— 


OLD ENGLISH CHINA TEA SET. 
Cream-colored ware with decorations in color of 
birds of gay plumage in groups of flowers. Two tea- 
pots, a cream pitcher, five saucers and 7 cups. A 
cup chipped and one saucer repaired. 


*Said to be nearly 150 years old and possibly decorated in 
Calcutta. 


LOWESTOFT CUP AND SAUCER. 
Decorated in red. 


STAFFORDSHIRE ‘“‘CITY HALL NEW YORK’? 
PITCHER. 


Blue and white showing view of City Hall on one 
side, the ‘‘Boston State House’’ on the reverse. | 
Ring mark on the bottom. Height, 6 inches ° 


* Rare piece, very difficult to find in good condition. 


STAFFORDSHIRE SUGAR BOWL (no cover). 


Blue and white with cartouches on either side con- 
taining marine scene with gale steamer flying the 
American flag. 


Mark wmpressed arrow. Height, 5 inches 


STAFFORDSHIRE BUST OF WASHINGTON. 


After the Stuart painting, on a marbled porcelain 
base. No marks. Height, 7 3-4 inches 


TWO SMALL INDIA TEMPLE PLATES. 
gio eed ‘‘Blue and White Stone China, J. W. R.’’ 


LARGE LOWESTOFT TODDY PITCHER WITH 
ORIGINAL COVER. 
~ Double strap-handle, the cover with knob shaped as 


a dog, monogram with initials in gold ‘‘J. R. G.”’ 
(J. R. Guest). Cracked. Height, 10 inches 


SEVRES LOUIS PHILIPPE PITCHER. 
_ White. porcelain, Chateau de Compiegne piece 
marked ‘‘Sévres 1847.’’ Lip chipped. 
, Height, 7 1-2 wmches 
30 


251 


252 


253 


254 
250 


256 


257 


258 


259 


260 


LOWESTOFT TEA SET. 
Teapot with strawberry knob, cream pitcher, tea- 
eaddy with original cover, three cups and four 
saucers, decorated with small detached flowers. One 
saucer chipped. 


LARGE LIVERPOOL WARE PITCHER. 
White paste with view of Nelson and view of his 
Flagship on the opposite side in black. 
Height, 8 1-2 inches 
“WASHINGTON VASE’? PLATE. 
Pearl stone ware with landscapes showing the 
‘‘Washington Vase’’ in blue and white. 


DELFT PLATE. (Repaired.) 


WEDGWOOD PITCHER. 
Dark blue jasper ground, medallions of classical 
figures with foliated mountings in white relief. 
Signed ‘‘Wedgwood’’ and ‘‘O’’ impressed in small 
clear type. In perfect condition. 
Date mark 1780-1795. Height, 8 1-2 inches 


WEDGWOOD PITCHER. 
Smooth glaze. Lavender ground, acanthus leaf body, 
mountings in white relief, mouth ending in a masque, 
gilt rim, grapes and vine in relief at the top. In 


perfect condition. No marks. Height, 7 inches 
WEDGWOOD PITCHER. 

Companion to the preceding. Hewht, 7 inches 
LARGE BELLARMINE JUG. 

From Yarmouth, Mass. Height, 18 inches 
SMALL BELLARMINE JUG. 

From Yarmouth, Mass. Height, 8 inches 


CUT GLASS SUGAR SHIFTER, silver top. 
SILVER PLATED CHATELAIN, with chain and clasp. 
SILVER PLATED BELL and travelling candlesticks 
(2). (5 pieces.) 
36 


261 


BONBON HOLDER, Rococo design, marked ‘‘ Rock- 
away Hunting Club, Putting Contest, 1900.’’ 


THREE LIQUEUR GLASS HOLDERS. 


PICKLE FORK, APOSTLE ORANGE AND SUGAR 
SPOONS. (8 pieces.) 


262 MELON-SHAPE HAMMERED BRASS TEA KETTLE. 


263 


264 
265 


266 


267 


268 


269 


Tip of spout bent. 


PAIR OF SMALL BRASS CANDLESTICKS. 

JEWEL CASE OF WHITE METAL, relief decoration, 

SMALL BRASS SHOVEL for a Brazier, length 13 
inches. (4 pieces.) 


BRASS BEDROOM CANDLESTICK. 


SMALL NIGHT CANDLESTICK AND EXTIN- 
GUISHBDR. 


Beaded edge. (2 pieces.) 


SILVER TEA BELL. 
Repoussé decoration of peasants drinking, the handle 
' shaped as a gallant with bottle and glass. 


Height, 5 1-2 
SUGAR SIFTER. 
Repoussé decoration of conventional primroses. 
English Hall-mark, 1886. Height, 5 inches 


WAFFLE KNIFE with monogram. 

BERRY SPOON with monogram. 

SALAD SPOON, twisted handle. Sterling. 
PLATED BONBON DISH on low stem. (4 pieces.) 


BERRY BOWL. 
Vine and leaf decoration with engraved inscription 
on the base. 
Theo. B. Starr & Co., makers. 
Diameter, 8 1-2 inches 
37 


270 


271 


274 


279 


276 


277 


278 
279 


280 


281 


BERRY BOWL. 
With fluted base. Monogram. Sterling. 


Diameter, 8 1-2 wmches © 


LARGE WATER PITCHER. 
Decorated with two floral bands in relief. 
Monogram. ‘Tiffany & Co., makers. 
Height, 8 mnches 
LARGE LADLE. 


Pierced strainer at side, gold line bowl. Sterling. 
LADLE, | 
Same design as the preceding. With monogram. 
Sterling. 
ICE CREAM KNIFE AND SALAD SPOON. 
Matching in design. Sterling. 
LARGE LADLE. 
With blackberry fruit and vine in relief on handle. 
Sterling. 
TWO SALAD SPOONS. 
SMALL LADLE, with gold-lined bowl. (3 pieces.) 


LADLE WITH GOLD BOWL. 
Oblong shape with fluted rim. Sterling. 


TWO LADLES, one with monogram. 


PIE KNIFE AND SALAD FORK. 
Matching in design. With monogram. 


ICE CREAM AND SALAD SPOONS. 
Matching in design, gold-lined bowl. With mono- 
gram. Sterling. 
GOLD-LINED TROPHY CUP. 
On low stem and circular base. Sterling. Mono- 
cram. Height, 6 inches 
TWELVE COFFEE SPOONS. 
Sam’l Kirk & Sons, Baltimore, makers. In a ease. 


EIGHT SHEFFIELD STEEL FRUIT KNIVES. 


With mother-of-pearl handles. 
38 


t ¥ 


284 


285 


286 
287 


288 


289 


290 


291 


292 


OVAL SILVER BERRY BOWL. 
Two handles. Sterling. With monogram. 
Diameter, 8 1-2 inches 


TWELVE ORANGE SPOONS. Sterling. With mono- 
cram. 


ELEVEN ICH CREAM FORKS. Sterling. 


SIX TABLE SPOONS AND TWELVE TEASPOONS. 
Of the same pattern. Sterling. With monogram. 


TWELVE FORKS. 


Same pattern as preceding lot. Sterling. With 
monogram. 


TWELVE SHEFFIELD STEEL FRUIT KNIVES. 
Mother-of-pearl handles. In a ease. 


NAPKIN RING, 
PAIR CHILD’S SPOONS, PARTLY ENAMELED. 


ORANGE AND FRUIT SPOONS, gold bowls. Ster- 
ing. 


PICKLE FORK AND SPOON COMBINED. Sterling. 


TWO TEASPOONS AND A PIE FORK. 
Some with monogram. (9 pieces.) 


TEA SET: VICTORIAN STYLE. 


Hot water and teapot, waste bowl, cream pitcher and 
eovered sugar dish. Engraved conventional design. 
Sterling silver. (5 pieces.) 


SILVER PITCHER, CYLINDRICAL SHAPE. 


Ornamented with a wide and narrow band of chased 
and engraved work in relief. The body of the 
pitcher inlaid with storks and bamboo. Tiffany & 
Co., makers. Height, 9 1-2 inches 

* Very fine workmanship. Presented by Mr. Charles Tiffany 
to Hon. R. C. McCormick when commissioner to the Paris 
Exposition of 1878. Similar work placed in the Exhibition 
met with instant recogniton from gold and silversmiths of all 
nations, and took the Grand Prix offered by the French Gov- 
ernment. 

59 


293 


294. 


295 


296 


297 


298 


299 


300 


301 


302 


303 


SEVEN PAIRS OF LOUIS XVTH BRONZE CUR- 
TAIN HOOKS. 14 pieces. 


BRONZE PITCHER, LOUIS XVITH DESIGN. 
The bowl chased and ornamented in relief with 
classical figures. Handle shaped as Venus. 
Height, 12 wmches 
METAL CRUCIFIX. 
Italian workmanship. Height, 11 1-2 inches 


PAIR FRENCH BRONZE PITCHER ORNAMENTS. 
With gilt bronze decoration. Red marble base. 
Height, 16 wnches 

PAIR BRONZE CANDELABRA. 
Column pedestal, five curved branches, grape and 
leaf decoration. Height, 16 ches 


BRONZE GROUP BY F. PAUTROT. Signed. 
Pair of waterfowl in the reeds. (One bill broken.) 
Height, 22 inches 
BRONZE PHEASANT BY J. MOIGNIER. Signed. 
Height, 13 mches 
FRENCH BRONZE STATUETTE ON BLACK 
MARBLE BASE. 
The Gladiator, after the Antique. 
Height, 19 1-2 inches 
FRENCH BRONZE STATUETTE BY MOREAU 
MATHU. 
Draped female figure. Signed. Height, 22 inches 


PAIR SMALL BRONZE URNS ON MARBLE BASES. 
PAIR SMALL BRASS JAPANESE LANTERNS. 

(4 pieces. ) ; 
SMALL BRONZE PERSIAN PITCHER. 
TURKISH VASE DECORATED WITH BLUE 

ENAMEL. 

WALL VASE as the head of an African. 
PORCELAIN BOX shaped as a monk’s head. 

(4 pieces. ) 

40 


304 


305 


306 


307 


308 


310 


311 


312 


FRENCH ORMOLU AND PORCELAIN CLOCK, 
GLASS SHADE. 


Porcelain dial and medallions and crowned with a 
porcelain urn. Alex. M. Hays, N. Y., maker. 


Height, 15 inches 
PAIR BRONZE CANDELABRA. 
Fan shape with seven candle holders each. 
Height, 16 inches 
FRENCH MARBLE CLOCK. 
Le Boutilier, Paris, maker. Height, 9 inches 


FRENCH EMPIRE CLOCK. 
With full-length figure of a warrior in bronze. 
Height, 23 inches 
BLACK MARBLE CLOCK. 


Glass panels, and enamel dial. A. M. Hays & Co., 
N. Y., maker. Height, 17 inches 


BON BON TRAY. 
Length, 5 inches; width, 3 1-2 inches 
CHAIN PURSE CLASP WITH RING. 
CREAMER. 
With bead edge; three feet. 


SUGAR BASKET. 


Pierced borders, gadrooned rim, twisted bail and 
ruby glass lining. Diameter, 5 1-2 inches 


GEORGE III SUGAR SIFTER. 
Chased. 
London Hall-mark 1786. Weight, 1 ounce, 138 penny- 
weight. 


SIX GEORGE III FRUIT SPOONS. 
Chased handles and fluted bowls. 
London Hall-mark imdistinct. Weight, 5 ounces, 
1 pennyweight. 
41 


313 


314 


316 


317 


318 


319 


GEORGE III BISCUIT BOX. 
Cylindrical in form, part spirally fluted. 
London Hall-mark 1790. Maker, Robert Salmon. 
Weight, 19 ownces, 4 pennywerght. 


GEORGE IIIT HOT-WATER JUG. 
Chased with flowers and scrolls. 
London Hall-mark 1796. Maker, Samuel Godbehere. 
Weight, 23 ownces, 15 pennywerght. 


GEORGE III CREAM EWER. 
Plain on 3 molded feet with scroll handle. 
London Hall-mark indistinct. Weight, 2 ounces, 13 
pennyweight. 

GEORGE III TEAPOT. 
Shaped oval plain engraved shield on either side. 
London Hall-mark 1791. Maker, Henry Chawner. 
Weight, 14 ownces, 6 pennyweight. " 


GEORGE II TANKARD. 
Partly decorated with flat-chased scroll and scale 
design. Engraved on one side with Crest surmounted. 
by a Viscount’s Coronet, surrounded by the Collar 
and Badge of the Order of the Bath. 
London Hall-mark 1751. Makers, Wiliam Shaw and 
William Priest. Weight, 27 ownces, 4 pennywerght. 


CUP AND COVER. 
Thistle-shaped body, richly chased with rose, sham- 
rock and thistle. The foot decorated with military 
accoutrements in high relief. The cover is sur- 
mounted by the figure of a rifleman. The two 
handles are in the form of oak branches. 
London Hall-mark 1862. Makers, Hands & Sons. 
Weight, 34 ounces, 15 pennyweight. 

PAIR GEORGE II SALT-CELLARS. 
Round chased with flowers and seroll on three plain 
feet (one of the pair is damaged). 
London Hall-mark 1736. Maker, John Smith. 
Weight, 4 ounces, 8 pennyweirght. 

42 


320 


321 


322 


323 


324 


329 


CLARET JUG. 
Engraved with stars and band of Greek key pattern. 
The jug is entwined with the body of a snake and 
on the cover is the figure of a butterfly in relief. 
London Hall-mark 1864. Makers, E. & J. Barnard. 
Weight, 26 ownces, 1 pennyweight. 


GEORGE I CUP. 
The body is plain with molded band lightly chased 
with bands of conventional decoration. It stands on 
three chased claw and ball feet. 
London Hall-mark 1724. Maker’s mark partly 
rubbed. Weight, 15 ounces, 16 pennyweirght. 


COLONIAL MILK JUG. 
Plain shaped with small bands of fine shell decora- 
tion and seroll handle. 
Maker, A. C. Morin. Weight, 7 ounces, 15 penny- 
weight. 

GEORGE IV COFFEE POT. 
Richly chased with figures of boys and fruit. The 
cover is surmounted by the figure of a Chinaman. 
The handle is decorated with chased flowers. 
London Hall-mark 1830. Makers, J. & J. Aldouss. 
Weight, 38 ounces, 7 pennyweight. 


WILLIAM AND MARY TANKARD. 
Plain with molded band engraved in front with in- 
seription of later date. London Hall-mark 1693. 
The name of this maker has not been traced, but he 
is recorded as being the maker of an Alms Dish 
dated 1694 now in the Church of St. Mary, Alder- 
mary, London. Weight, 37 ownces, 5 pennywerght 


BEAKER. 
Plain inset in the side of the Beaker are four three 
shilling Bank tokens, two of the year 1811, one of 
1812 and one of 1813. In the bottom of the Beaker 
is inset a George III Crown piece of the year 1819. 
Weight, 14 ounces, 4 pennyweight 
43 


326 


327 


328 


329 


330 


331 


GEORGE III CREAM EWER. 
Pitcher shape, partly fluted and chased with classi- 
cal decoration of rams’ heads and swags in the Adams 
style. 
London Hall-mark 1780. Maker, John Kidder. 
Weight, 6 ounces, 1 pennyweight. 


CUP AND COVER, GEORGE III. 
Vase shaped, chased with acanthus leaf decoration 
with band of festoons at top. Engraved in front 
with full Arms and Crest of original owner. The 
handles are chased with leaves. 
London Hall-mark 1773. Makers, Wiliam Holmes 
and Nicholas Dumee. Werght, 96 ounces, 15 penny- 
weight. | 


SET OF SIX GEORGE IL THREE PRONG FORKS. 
Plain Old English pattern. 


London Hall-mark 1736, etc. Weight, 13 ounces, 7 
pennyweight. 


GEORGE II COFFEE POT. 
Plain conical shaped body with scroll shape spout. 


London Hall-mark 1746. Maker, Wiliam Williams. 
Weight, 23 ounces, 10 pennyweight. 


QUEEN ANNE TANKARD. 
Chased with hunting scenes. Plain scroll handle. 


London Hall-mark 1711. Maker, John Rand. Weight, 
41 ownces, 17 pennyweight. 


GEORGE III SCOTCH TEAPOT. 
Plain with bands of engraved decoration on oblong 
foot. The spout is decorated at end with a chased 
leaf. : 
Edinburgh Hall-mark 1817. Maker, George Fen- 
wick. Weight, 28 ounces, 6 pennyweight. 
44 


ee 


332 


333 


334 


330 


336 


337 
338 


339 


340 


COFFEE URN. 
Chased with flowers in relief. The cover is sur- 
mounted by a stork. 
Maker, Tiffany, Broadway. Weight, 70 ounces, 3 
pennyweight. 


SWEDISH SILVER-PLATED OVAL BOX WITH 


HINGED COVER. 
Melon shape, carved and repoussé on three low scroll 
feet. Height, 41-2 inches; length, 6 inches 


TWO IRON SALT CELLARS. 
With pressed glass bowls. 


SCOTCH TODDY URN WITH COVER. 
Band of leaves and grapes. Height 10 1-2 inches 


VENETIAN MIRROR IN WIDE CARVED WOOD 
FRAME. 


Leaf and Scroll pattern with bevel plate glass. 
Height, 32 1-2 wnches; width, 25 inches 


OLD GIRANDOLE. 


Gilt circular frame, ornamented with carved lion’s 
head, and acanthus leaves, surmounted by a spread 
eagle. Diameter of nurror, 19 inches 


TWO DARK RED STRIPED VELVET CUSHIONS. 


WIDE CHANTILLY LACE EDGE. 
Fine texture, rose and flower decoration, scallop 
edge (slightly damaged in several places). 
Length, 41-3 yards; width, 10 1-2 wmches 


TABLE SCARF. — 
Of gold thread embroidery. Size, 35 «© 19 wches 


PAIR OF CRIMSON VELVET PORTIERES. 
Wide borders of Turkish embroidery, set with 
spangles. Lined and padded. 2 pieces. 
45 


341 


342 


343 


344 


345 


346 


347 


PAIR OF CRIMSON VELVET PORTIERES. 
To match the above. 2 pieces. 


PAIR OF CRIMSON VELVET PORTIERES. 
To match the above. 2 pieces. 


THREE PAIRS OF GREY BLUE SILK VELOUR 
CURTAINS. 


Lined and finished with silk braid and silk loops. 
6 pieces. 


JAPANESE EMBROIDERED TEMPLE HANGING 
ON LAVENDER SILK BROCADE. 

Apple blossoms, chrysanthemums, two Ho Birds and 

an Imperial five-claw Dragon of the Clouds prepar- 

ing to attack a Tiger below. | 


Length, 2 yards, 22 wches; width, 2 yards, 15 inches 


JAPANESE BROCADE, LINEN BACK. 
Prevailing color red with birds and flowers of con- 
ventional designs in iridescent yellow and blue, some 
worked in gold thread. Fan shaped designs with 
landscape. Brilliant coloring. Signed. 


Length, 5 yards, 22 inches; width, 27 inches 


JAPANESE BROCADE, LINEN BACK. 
Red ground with birds worked in gold thread, 
touched with iridescent blue; medallions and flowers 
in iridescent blue and yellow, and waves of delicate 
blue. Length, 5 yards, 20 inches; width, 27 inches 


JAPANESE BROCADE. 


Pompelian Red ground covered with conventional 
chrysanthemum designs in iridescent blue and yel- 
low, worked with silver thread. a 


9 yards, 20 inches; wrdth, 27 inches 
46 


348 EMBROIDERED JAPANESE TEMPLE HANGING. 


Combat of Cloud and Sea Dragons. Upper part of 
background is entirely of circle embroidery, in gold 
thread, representing clouds, while the lower part is 
finished with gold and silver thread representing 
waves. 


Length, 1 yard, 31 inches; width, 1 yard, 8 1-2 inches 


A. FALGUIERE 


Contemporary French Sculptor. 


349 EGYPTIAN DANCER. 


Bronze draped female figure dancing while picking 
the strings of a lyre. Tripod bronze pedestal with re- 
volving top of black marble. (One handle broken.) 

Signed. Height, 85 inches 


* The above and the following bronze were presented by 
the French Government to Hon. R. C. McCormick when Com- 
missioner General from the United States to the Paris Ex- 
position of 1878. They were selected with the assistance of 
W. W. Story. 


EMILE HERBERT 


Contemporary French Sculptor. 


350 BRONZE DRAPED FEMALE FIGURE §sstanding 
against a column. Tripod bronze pedestal with 
revolving top of black marble. Signed. 

Height, 86 inches 


47 


THIRD SESSION 


Unframed Engravings, Etchings and Mezzotints 
by Old and Modern Artists, 


ANDREW F, AFFLECK 


351 EDINBURGH CASTLE. Etching. 


Signed proof on Holland paper, not too heavily 
printed. 


ADOLPHE APPIAN 
352 MARAIS DE LA DURBANCHE. 
A SUMMER DAY. 
BEFORE THE RAIN. 
Etchings. Proofs. (3) 


393 UN JOUR D’AUTOMNE A ARTEMAN. 
LE PORT DE MONACO. 
UN ROCHER DANS LES COMMUNAUX DE RIX. 
L’ETANG NEUF. 
Etchings. Proofs. (4) 


' ARTISTS’ PORTRAITS 
304 REMBRANDT; by Blanc, Claussin, ete. 
MEISSONIER; etched by Courtry. 
TURNER, Goya, Callot, Vandyke, ete. 
13 pieces. 


FRANK ATKINSON 


355 PANGBOURNE ON THE THAMES: MOONLIGHT. 
Mezzotint. Signed India proof. Folio. 


48 


eS —— 


396 


307 


358 


309 


360 


361 


362 


OTTO H. BACHER 
Contemporary American Etcher, pupil of Whistler. 
PONTE DEL VECCHO, FLORENCE. 
SAILING TOY YACHTS, CENTRAL PARK. 
Two signed proof etchings, the latter on satin. 


F, BARTOLOZZI 
JOHN ASH, MD. 


Stipple Engraving after Reynolds. Full length 
seated with papers. Folio, open letter proof printed 
in brown tints. London, 1791. 


EUGENE BEJOT and Others 


BEJOT. Le Quai de Javel. Signed Proof. 
RASSENFOSSH. A Blonde. Signed Proof in carmine. 
WYTSMAN. En Brabant. Signed proof in brown. 


DANGERFIELD. An Old Master at Last. Signed 
proof in carmine. 


Etchings. (4) 


SCHELTIUS A. BOLSWERT 


THE FEAST OF HEROD: after Rubens. 
THE HOLY FAMILY: after Van Dyke. 
Line engravings. Folio. (2 pieces.) 


FELIX BRACQUEMOND 
SARCELLES. 


Etching. Fine impression with Cadart’s stamp. 


PERDRIX. 


Etching. Fine impression on India paper. Printed 
by Delatre. 


THE HARE (A MISTY MORNING). 
Etching. 
49 


363 


364 


365 


366 


367 


368 


369 


BRITON-RIVIERE 


CIRCE AND THE FRIENDS OF ULYSSES; en- 
graved by Stacpoole. OPEN LETTER PROOF, DANIEL 
WITH THE Lions, engraved by C. G, Lewis, OPEN 
LETTER PROOF. Large folio. 2 pieces. 


A. BRUNET-DEBAINES 


CARNARVON CASTLE; after K. Hefner. 
Japan proof signed by both artists. 


JACQUES CALLOT 
French Engraver. 1593-1635. 
GROTESQUES, ‘““VARIE FIGURE GOBBI.” (20) 
‘““BALLI DI SFESSANIA.”? (24) 
Together 44 pieces, 16mo. 


CALLOT, GRAVELOT and Others 


CALLOT. The Temptation of St. Anthony, from the 
Viasoff and Scheikevitch collection. 
LEVACHEZ. Portrait of Louis XVI. 
GRAVELOT. Allegorical design. 
HARREWYN. The House of Rubens. From the Mor- 
rison collection. 
And two others. Folio, ete. (6) 


_DAVID Y. CAMERON 
ARRAN. 
Etching. 


PERTH BRIDGE. 
Etching. 


COLOR PRINTS 


HENRI BOUTET. Dans les Coulisses. 
PUVIS DE CHAVANNES. lL’Esperance. 
M. DELORME. La Poupée. | 
Original lithographs in colors. (38) 
50 


et a 


370 


371 


372 


373 


374 


370 


LOUIS RHEAD. The Woman and the Peacock, and, 
Jane. 


HENRI MEUNIER. The Silent Hour. 
Original lithographs in color. (38) 


MUCHA. Incantation, and Salome. 

GASTON BUSSIERE. Brunnhild. 

MAURICE DESVALLIERES. Porteur d’Amphora. 
MERSON. Salome. 


Original hthographs in colors heightened with gold. 


(9) 


RANFT. The Circus Rider. 
WERY. In Brittany. 
CHRISTIANSON. The Shepherd’s Hour. 
GIRARDOT. A Woman of Riff. 
And other original lithographs in color. (10) 


ARTIGUE. Albine. 

DESFONTAINES. L’Enigme, and L’Illusion. 
BERCHMANS. Renouveau. 

FERD. CORMON. Cite Lagustre. 


And other original lithographs in colors. (14) 


DETOUCHE. Dans les Ronees. 
DONNAY. Artemis. 
DUBUFE. L’Enfant. 
GIRALDON. Lutetia. 
And other original lithographs in color. (15) 


CHARLES COURTRY 
REMBRANDT’S WIFE. Signed proof. 
LANDSCAPE AFTER DUFOSSE. Signed proof. 


LANDSCAPE AFTER TROYON. Signed proof with 
presentation inscription to Flameng. 


Etchings. (3) 
51 


376 


317 


378 


379 


380 


381 


SAMUEL COUSINS 
English Engraver. 1801-1887. 

NAPOLEON III. Full length in uniform with Royal 
Insignia; EMPRESS EUGENIE, Full length in 
Royal Robes. Mezzotints after Winterhalter, 
Folio. Paris, 1856, and 1857. 


* FINE ORIGINAL PROOFS STAMPED WITH THE ‘‘ Royal Bee’’ 
in relief, 


CHARLES F. DAUBIGNY > 


LA SEINE A PORT-MAURIN. Proof on China paper. — 


LA PRE DES GRAVES A VILLERVILLE. Proof on 
Japan paper. Etchings. (2) 


J. DAULLE 
French Engraver, 1703-1763. 


HYACINTHE RIGAUD: After himself. 
Nearly full-length, seated, painting the portrait of 
his wife. Folio. ) | 


P. L. DEBUCOURT 
LA COURSE. 
FIN DE LA COURSE. A Pair. 
Rare aquatints after Carle Vernet. Folio. (2 pieces.) 


DETAILLE AND DE NEUVILLE 


TROMPETTE DE CHASSEURS. By Détaille. 


MOBILES A LA TRANCHEE. By De Neuville. 
Etchings. (2) 


CHARLES DICKENS 
LITHOGRAPHS BY FRED BARNARD. Dickens 


series. 


Mr. Pickwick, Little Dorrit, Bill Sikes, Alfred . 


Jingle, Sidney Carton, Mrs. Gamp. Folio. Fine 
impressions. (6) 
52 


HERBERT DICKSEE 


382 A LION DRINKING. 


383 


384 


385 


386 


387 


388 


Etching. 4to. 


PIERRE DREVET 
French Engraved. 1664-1739. 


HYACINTHE RIGAUD, Painter. Half-length before 
easel. 


Engraved after himself. Folio. 


KAREL DUJARDIN and Others 
DUJARDIN. Four landscapes and pastorals. 
VAN EVERDINGEN. ‘Two landscapes. 


WATERLOO. The Traveller, and other old engrav- 
ines, 10) 


A. B. DURAND 
Early American Engraver. 1796-1886. 
MUSIDORA. Original impression. 
Line engraving, OPEN LETTER PROOF. 


RICHARD EARLOM 
English Mezzotint Engraver. 1743-1822. 


ITALIAN PEASANT with a dead hare, approached 
by two schoolboys. 
Mezzotint after Zoffany. Folio, 1724. 
* Seratch letter proof. 
JAMES DUKE OF RICHMOND: after Van Dyke. 
Full length. Mezzotint, proof, folio. 


EARLY MEZZOTINT 


THE ANNUNCIATION. 


Mezzotint by G. A. Wolfgang, engraved about 1660. 
53 


389 


390 


391 


392 


393 


394 


395 


ENGRAVINGS 
SLEEPING JESUS, by Sir Robert Strange, after 
Maratti. 
CUPID ARMED, by Folo, proof before letters. 


MEDEA: by GEOFFROY, PROOF BEFORE LETTERS, with 
presentation inscription by the engraver. 


VILLAGE FESTIVAL, by Finden, after Wilkie and 
other rare old engravings. Folio, ete. (25 pieces.) 


THE NEW SCHOLAR, by Alfred Jones. 
THE CARD PLAYERS, by C. Burt, after Woodville. 
THE RENT DAY, by Smith, after Wilkie, proof. 


THE TWO HENRYS, by Lemon, after Horsley, and 
others, folio, ete. (82 pieces.) 


EVERETT (EDWARD). Engraved portrait by H. W. © 
Smith, AUTOGRAPHED INp1IA PROOF; W. M. Evarts, 
lithograph portrait. Folio. (2 pieces.) 


THE FISHERY, Engraved by Wm. Woolett. 


Proof before title, stamped ‘‘W’’ and with pencilled 
monogram and name of collector in the corner “‘ Thos, 
D. Robinson.’’ Folio. 


THE FORD: Girl and cattle. 
Engraved after E. Danglot. Signed India proof. 
Large folio. 


ETCHINGS 


ETCHING AFTER MERYON BY GOSSELIN. 


Le Pont Neuf, St. Etienne du Mont. 
La Morgue, Calerie. (4 pieces.) 


OLD RYE AND BEACH, by C. G. Holloway. 


AN ENGLISH VILLAGE, by Fred Slocombe. 
Signed proofs, one on Japan paper. Large folio. 
b4 


396 


397 


398 


399 


400 


401 


402 


403 


RETURN OF THE FISHERS: after Fayen Perrin. 
Etched by Teysonnieres, Parchment proof signed by 
both artists, with portrait remarques. 

RETOUR DE LA PECHE A CANCALE: after Fayen 

Perrin. 
Etched by Martial (with portrait of Patti as one of 
the Fisherwomen). Signed remarque Japan proof. 


AUTUMN LANDSCAPE: after Corot. 
Ktching by A. Monnier. Signed remarque proof. 


POTATO GATHERERS, by Los Rios, after Lerolle. 
WASHERWOMEN, by Damman, after Millet. 
Parchment proofs, the former signed by both artists. 


RETURN TO THE FARM, by L. Dautrey. 
MILL AT BERGEN, by J. M. F. van Roggen. 
Parchment proofs, each signed by the artist. 


EDWARDS. The Park, Richmond. 

REMBRANDT. Man with a large hat. By Faivre. 

FLAMENG. The Blue Boy, Rembrandt’s House, ete. 
and other etchings, many proofs. (20) 


MILLET. Sheep Grazing. By Brisse. 
GEROME. Caesar. 
PICCINNI. At Church. 
VEYRASSAT. After the Battle. 
And other etchings, many proofs. (20) 


REMBRANDT. Landscape with a square tower, by 
Marvy. 
BALLIN. Old Warship on the Thames. 
CHAIGNEAU. Shepherdess and flock. 
And other etchings, many proofs. (22) 


VICTOR HUGO: Etched portrait by Rajon. 
Artist’s proof no. 5 on large paper. Folio. 
55 


404. 


405 


406 


407 


408 


FRENCH LITHOGRAPHS 


SHEEP, after Jacque, by E. Vernier. 
With presentation inscription from Vernier. 


THE SOWER, by Bouvier after Millet. 
LANDSCAPE, by Appian after Daubigny. 


LANDSCAPE, by Laurens after Rousseau, 
and others. (10) 


; 
1 
: 


THOMAS GAINSBOROUGH 


THE BOY IN BLUE. 


Engraved by Robert Graves. Folio, proof, full 
length. London, 1868. 


LUCIEN GAUTIER Eee 


RUE ST. JULIEN LE PAUVRE, 
RUE DU HAUT PAVE. : 
PONT ROYALE. | 
PONTE NOTRE DAME. 

Etchings from the Views of Paris. (4) 


ERNEST GEORGE 


DORDRECHT; TOURNAI; LOUVAIN. 
Etchings. (3) 


J. LEON GEROME, Etc. 


THE EGYPTIAN SMOKER. By Gerome. India proof: 


PORTRAIT OF A LADY AFTER EDELFELT. By 
Mordant. 


FRENCH CART HORSES. By Véyrassat. 
PORTRAIT OF HIMSELF. By W. Unger. 
Etchings. (4) 
56 


EE 


410 


411 


412 


413 


414 


415 


416 


PHILIP GILBERT HAMERTON 
TOWERS OF AUTUN; LANDSCAPE. 
THE BRIDGE: DRIFTWOOD. 

PRESS FOR PRINTING ETCHINGS. 
And other original etchings. (6 pieces.) 


HUBERT HERKOMER 
HUBERT HERKOMER AND HIS CHILDREN. 
WORDS OF COMFORT. 
Etchings by Herkomer on India paper. (2) 


JACOB HOUBRAKEN 

SIR PHILIP SYDNEY; EARL OF ESSEX. 
JOHN TILLOTSON; Archbishop of Canterbury. 
SIR KENELM DIGBY; and other portraits. 

(6 pieces. ) : 
ROBERT CARR; Earl of Somerset. 
WM. WAYNFLEET; Bishop of Winchester. 
THOS. SACKVILLE; Earl of Dorset, by Vertue. 

And other portraits. (5 pieces.) 


CHARLES JACQUE 
LA SORTIE DES MOUTONS. 
Etching, 1880. Only 200 printed and plate destroyed. 


TROUPEAU DES PORCS FUYANT. 
Etching. India proof from the F. Masson collection 
with stamp. 


TROUPEAU DES PORCS. 


Dry-point. Only 200 printed and plate destroyed. 


WOMAN DRIVING PIGS INTO A BARN. 
EIGHT COWS DRINKING. 
Etchings. (2) 
57 


417 PORCS COUCHES; PAYSAGE. 
Two etchings by Jacque. Proofs. 


418 COQ ET POULES, two different, 
THE WOODCOCK. 
Three proof etchings on India paper, by Jacque. 


JULES JACQUEMART 
419 LE VEUVE ET L’ENFANT. After Reynolds. 
BIJOUX ANTIQUES. ; 
VASE A BOIRE EN VERMEIL. | | 
Etchings. (3) 


EDWARD JAMES 
420 RURAL AMUSEMENT. 
RUSTIC EMPLOYMENT, 


Oval Mezzotints printed in colors. Signed proofs on 
parchment. (2 pieces.) 


ANGELICA KAUFFMAN and W. BOND 
421 ULYSSES DISCOVERING ACHILLES AMONG 
THE MAIDENS. 
Stipple.engraving by Bond after Kauffman. 
ANGELICA AND MEDORO. 
Mezzotint by Earlom after West. Folio. (2 pieces.) 


MAXIME LALANNE 


422 VUE DE HENNEBONT (MORBIHAN),. 
SOUVENIR D’UN PORT—TROUVILLE. With re- 
marque 
Etchings. Proofs from Lalanne’s collection with 
stamp. (2) 
58 


423 


424 


425 


426 


427 


428 


VIEUX QUARTIER DE VITRE. On Japan paper. 
RICHMOND. 


Etchings. (2) 
VIEUX QUARTIER D’AMSTERDAM. On Japan 
paper. 


AUX ENVIRONS DE PARIS. 

SOUVENIR DE BORDEAUX. 

A SEVILLE. 

AMSTERDAM. 

CROQUIS D’ANVERS. 
Etchings. (6) 


ALPHONSE LEGROS 


LE MANEGE. 


PEASANT WOMAN WITH FEET IN THE WATER. 
Etchings. (2) 

VIEIL ESPAGNOL. 

PAYSANS A L’EGULUISE. 

MENDIANTS ANGLAIS. 


PAYSAN BRETON. 
Etchings. (4) 


LOUIS LELOIR, Etc. 
UN RAFFINE By Leloir. 
PORTRAIT OF A LADY. By Flameng after Holbein. 
PORTE DE L’ATELIER. By Rochebrunne. 


RHEIMS CATHEDRAL. By Toussaint. 
Etchings. (4) 


MADELEINE LEMAIRE 


LA CIGALE. 
L’INDISCRETION, 
LE RECIT. 


ITALIAN PEASANT GIRL, ete. 
Beautifully printed in colors. (7) 
59 


429 


430 


431 


432 


433 


434 


CLAUDE LORRAINE 


LANDSCAPES: after Claude. Folio. 
Engraved by Vivares (proof) and A. Poretta. (2) 


THOMAS LUPTON 


LORD BROUGHAM. 


Mezzotint, full-length in legal robes, after James 
Lonsdale. Folio, fine proof. 


JOSEPH MARCHI 


OLIVER GOLDSMITH. 


Mezzotint after Sir Joshua Reynolds. Bust in pro- 
file with book. Folio. 


RAPHAEL URBAIN MASSARD 
French Engraver, flourished 1800-1850. 
LA PLUS BELLE DES M RES: after Van Dyck. 
LE PARDON: after Landon. Proof before letters. 
ADAM AND EVE: after Cignani. Folio. (3 pieces.) 


MASSARD and PAOLO TOSCHI 
THE BURIAL OF ATTILA: after Girodet. Proof be- 
fore letters, laid down. ) 


FIGURATIVE ENGRAVING WITH TWO CUPIDS. 
By Toschi. Signed Remarque Proof. 
Large folio engravings. (2) 


J. L. E. MEISSONIER 


COURTRY. Charles I, The Etcher, the Chain Gang. 
CHIQUET. In the Study. Signed Remarque Proof. 


KRATKE. Study of a Horse, and two other etchings 
after Meissonier. 


Proofs on vellum. (7) 
60 


435 


436 


437 


438 


439 


440 


HENRY MEYER 
English Engraver. 1782-1847. 


HON. CHAS. FRANCIS GREVILLE; English States- 
man. 


Mezzotint after Romney. Fine original impression. 
Folio. | 


J. F. MILLET 


THE SPINNER. 
Etching by Le Couteux. Folio. Signed Proof. 


SAINTE CHAPELLE, PARIS. 
Etching by Gautier. Folio. (2) 


JOHN MILTON 


PORTRAIT OF MILTON. 


Full-length, seated in his library dictating. <A curi- 
ous eighteenth century wood-engraving. Unsigned. 
Folio. 


CLAUDE MONET 


MARINE: A Scene with yachts. 
Original aquatint by the famous painter. Issued in 
only a few copies. 


RAPHAEL MORGHEN 


DIANA HUNTING WITH HER MAIDENS. 
Engraved after Domenichino. Folio. Slight repair 
to left bottom corner. 


ROBERT NANTEUIL 
French Engraver, pupil of Ph. Champaigne. 1630-1678. 
LOUIS HESSELIN, Conseiller d’Etat. 
Line Engraving. From the Scheikevitch Collection, 


Moscow. 
61 


441 


442 


443 


444 


445 


446 


447 


NAPOLEON I 


APOTHEOSIS OF NAPOLEON: stipple after Vernet. 
Proof before letters. 

LOUIS PHILIPPE: Mezzotint by Girard. 
Folio. (2 pieces.) 

LE RETOUR EN FRANCE. Lithograph. 


The coffin of Napoleon borne by a Guard of Honor 
and surrounded by the spirits of the Old Guard. 
Fine and searce lithograph. Folio. 


NAPOLEON AND THE POPE. Engraved by J. H. 
Robinson after Wilkie. Folio, stamped proof be- 
fore title. 


OLD MASTERS OF ENGRAVING 


DURER. Knight, Death and the Devil. 


SCHONGAUER. Christ in Limbo, and others. Re- 
productions by Amand Durand, ete. (7) 


OLD VENICE 
PIAZZA SAN MARCO; THE RIALTO; THE GRAND 
CANAL; DOGE’S PALACE, ete. 
Old folio engravings by Marieschi. (7) 


SAMUEL PALMER > 
SUNRISE. 
Etching. 12mo. 


STEPHEN PARRISH 


INNER HARBOR, GLOUCESTER. On India is 
ANNISQUAM. On Japan paper. 
Etchings. Proofs. (2) 
62 


448 


449 


450 


451 
452 
453 


_ 454 


455 


456 


WILLIAM PETHER 
English Mezzotint Engraver. 1738-1821. 


THE JEWISH RABBI. Mezzotint after Rembrandt. 
Folio, 1778. 
* FINE PROOF BEFORE THE TITLE. 

A VENETIAN NOBLEMAN. Mezzotint after Ghior- 
gione. .Folo, 1768. 


* PROOF WITH THE NAMES OF THE ARTISTS AND THE ARMS 
ONLY. 


F. PIRANESI 


VIEW OF THE FALLS OF TIVOLI. 
Large folio. One of Piranesi’s masterpieces. 


*The following are large folio engravings by Piranesi, 
many being noted plates. 


THE ARCH OF SEPTIMUS SEVERUS. 
THE COLUMN OF ANTONINUS. 


THE FORUM ROMANUM. 
THE CAMPO VACCINO. 


Two engravings. 


THEATRE OF MARCELLUS. 
TEMPLE OF ANTONINUS AND FAUSTINA. 
PIAZZA DI SPAGNA. 

Three engravings. ° 


TEMPLE OF JUPITER FULMEN (‘‘Giove Ton- 
ante’’). 
INTERIOR OF THE ATRIUM AT THE OCTAVIAN 
GATE. 
ALLEGORICAL ENGRAVING. 
Three .engravings. 


TEMPLE OF HERCULES AT CORA. 
PIAZZA DI MONTE CAVALLO. 
TEMPLE OF ANTONINUS AND FAUSTINA. 


Three engravings. 
63 


457 


458 


459 


460 


461 


462 


FOUNTAIN OF TREVI. 
PIAZZA DI ST. PIETRO. 
INTERIOR OF THE VILLA OF MACENAS. 


Three engravings. 


TEMPLE OF VIRILE FORTUNE. 

INTERIOR OF THE ATRIUM AT THE OCTAVIAN 
GATE. 

INTERIOR OF THE ‘“‘TEMPLE DELLA TOSSE.”’ 


Three engravings. 


ENTRANCE TO THE VILLA OF DOMITIAN, 
RUINS OF THE GOLDEN HOUSE OF NERO. 


PIAZZA DI SPAGNA. 
Three engravings. 


ENTRANCE TO THE AMPHITHEATRE OF 
FLAVIUS. 


CASTLE OF “AQUA FELICE.” 

PIAZZA DEL CAMPIDOGLIO. 

THEATRE OF MARCELULUS. 
Four engravings. 


THE GOLDEN HOUSE OF NERO (Temple of Peace). 
BASILICA OF CONSTANTINE (Temple of Bacchus). 
CHURCH OF 8ST. JOHN LATERAN. 


INTERIOR OF THE ATRIUM AT THE OCTAVIAN 
GATE. 


Four engravings. 


PIAZZA DELLA ROTONDA. 

CASTLE OF THE JULIAN AQUEDUCT. 
BASILICA OF CONSTANTINE (Temple of Bacchus). 
PORT OF RIPETTA. | 


Four engravings. 
64 


463 


464 


465 


466 


CAMPIDOGLIO ROMANO. 
THE EGYPTIAN OBELISK. 


ENTRANCE TO THE AMPHITHEATRE OF 
FLAVIUS. 


Three engravings. 


M. PLACE 
THE FAMILY DISTRESS OCCASIONED BY THE 
LOSS OF A CHILD. 
Engraved in stipple after Cosse, in colors. Folio. 


*Open letter proof. Printed by Schiavonetti. London, 
1798. 


PORTRAITS 


LORD FR. CAMPBELL, by Stow after Edridge. 


REV. W. FARISH, Mezzotint by Dawe. 
Folio. (2 pieces.) 


DRAMATIC PORTRAITS. COOKE AS SIR PERTI- | 
NAX MACSYCOPHANT, by Woodman. 


Fine original impression. 
KEMBLE AS CORIOLANUS, mezzo by Burgess. 


CHARLOTTE CUSHMAN, MR. HACKETT. 
(4 pieces.) 


ENGLISH PORTRAITS. SIR WM. BEECHEY, the 
DUKE OF WELLINGTON. 


SIR JOSHUA REYNOLDS, W. COWPER. 


W. WILBERFORCE, H. GRATTAN, and J. NORTH- 
COTE. , 
Fine stipple engravings by Cooper, Meyer, and 
others. Early impressions. Folio. (7 pieces.) 
65 


468 


469 


470 


471 


472 


LORD TEIGNMOUTH, by Cheesman. (3 copies.) 
EARL OF BUTE, by Caroline Watson. 
MARQUIS OF ANGLESEY, by Meyer. 

WARREN HASTINGS, by Bromley. 


LORD LYNDHURST, by Desmaisons, and other good 
portraits. Folio, ete. (19 pieces.) 


FOREIGN PORTRAITS. ANTOINE PESNE, by 
Schmidt, | 


CARDINAL GONSALVI, by F. C. Lewis. 


BUIRETTE DE BELLOY, by Lempereur. 


ARAGO, mezzo by Sixdeniers, ete. (7 pieces.) 


PROOF ETCHINGS 


BRACQUEMOND. Le Lac, after Corot. 
KING (J.8.) Rembrandt, and another. Signed proofs. 
VOLKMAR. Duck’s Paradise. Signed proof. 


HEDOUIN. Marquise de Noailles. 
And other etchings, several signed proofs. (12) 


PROOF ETCHINGS ON VELLUM 


CORONATION OF NAPOLEON. After David by 
Morse. 


CHOOSING THE MODEL. After Fortuny. 
MUSIQUE PROFANE. After Dubuffe by Morse. 
EUGENIE. After Chaplin by Hedouin. (4) 


MORNING BY THE SEA. After Wetherbee by 
Richeton. | 


THE BARGE OF CLEOPATRA. After Gleyre by 
Massard. 


HEAD OF AN OLD MAN. After Chardin by Bichard. 
A CHARGE. After Schreyer by Jeanninot. 


THE SHEPHERD. After Rousseau by Courtry. (5) 
66 


PAUL RAJON | 


473 PORTRAIT OF A LADY. After Rembrandt. On 
India paper. 
READING THE BIBLE, FRANCE, 18th Century. 
On India paper. 
Etchings. Proofs. (2) 


REYNOLDS (SAMUEL W.) 
English Mezzotint Engraver, pupil of J. R. Smith. 1773-1835. 
474 JOHN PHILIP KEMBLE AS CATO. 
Mezzotint after Lawrence. Large folio, 1844. 
Top margins cut close. 


* Original impression. 


TH. ROUSSEAU 


475 CHENES DE ROCHES. 
Original etching by Rousseau. India proof, 8vo. 


SALVATOR ROSA and Others 


476 ROSA. The Abandonment of Oedipus. 
PETER DE JODE. Rinaldo and Armida, after 
Vandyke. 
VORSTERMAN. The Fall of the Rebel Angels, after 
Rubens, 
Large folio engravings. (3) 


JOHN RUSKIN 
From the Wilson Collection. 


477 CRESTS OF LA COTE. 
Unlettered proof printed for Ruskin’s own use be- 
fore other proofs. 
LOIRE SIDE: PASS OF FAIDO. 
By Ruskin, and 7 others by R. P. Cuff, all with 
Wilson’s stamp. (10) 
67 


N. SCHIAVONETTI 


Italian Engraver, worked in England under Bartolozzi. 1771-1813. 


478 


479 


480 


481 


482 


483 


484 


SIR JOSEPH. BANKS, President of the Royal Society. 
Engraved after Phillips. Folio. Open letter proof. 
1812, 


WILLIAM SHAKESPEARE 


ROOM IN WHICH SHAKESPEARE WAS BORN. 


BACON CUPBOARD, SHAKESPEARE’S HOUSE. 
Signed proof etchings on vellum by E. Piper. (2) 


H. SINGLETON 
English Artist. 1766-1839. 
LINGO AND COWSLIP: Circular print, 1788. 
Stipple engraving by E. Scott. 
Open letter proof. 


WILLIAM STRANG and Others 

STRANG. The Tinkers. 

MORAN (T.) Glencoe, and the Smithy. The latter 
signed, 

RAJON. Portrait after Hals, and portrait of Bracque- 
mond, proof. 


COLMAN. Olive Trees on the Riviera. Signed proof. 
Etchings. (6) 


JAMES J. TISSOT 
TWO FRIENDS: Etching. 
Parting at the steamer. Proof with remarques of 
the English and American Flags in color. Folio. 


THE PRODIGAL SON: Complete series. 
Title and 4 etchings, ‘‘Invented, painted and etched 
by J. J. Tissot, 1881.’’ (5 pieces.) 
SOUVENIR DE VOYAGH, etching. 
MAVOURNEREN, etching and a reproduction. 
(3 pieces. ) 
68 


‘ 
. 
J 
: 


485 


486 


487 


488 


489 


490 


491 


492 


493 


P. W. TOMKINS 
English Engraver, pupil of Bartolozzi.. 1759-1840. 
SIR JOHN NICHOLL: King’s Advocate General. 
Half length in military uniform. Stipple engrav- 
ing after Shee. Folio, 1806. (2 copies.) 


* Fine impressions. 


CHARLES TURNER 
English Mezzotint Engraver, 1774-1857. 
RIGHT HON. WILLIAM PITT. 
Mezzotint after Lawrence. 
Open letter proof. Folio. 


SIR R. J. WOODFORD: Governor of Trinidad. 


Mezzotint after Howard and Lawrence. Open letter 
proof. Folio. 


SIR DENNIS PACK: English General. 
Fought at Waterloo and in other battles against 
Napoleon. 
Mezzotint, open letter proof. Folio. 


THE HON. MARGARET M. ELPHINSTONE. 


‘Mezzotint after Sanders. Three-quarter length, 
Persian head-dress, leaning on table. Folio, script 
letter proof. London, 1813. 


MARQUIS OF LONDONDERRY. 
Mezzotint after Lawrence. Open letter proof, folio. 
* Full length in Court dress. 


RIGHT HON. HENRY LORD MULGRAVE: Open 
letter proof. 
English Statesman, Mezzotint after Lawrence. 


ROBERT VISCOUNT MELVILLE: English Statesman. 
Mezzotint after Lawrence. Folio. 

THOMAS FORSYTH: English Author and lawyer. 
Mezzotint after Beechey. Folio. 


Open letter proof. 
69 


494 


496 


497 


498 


499 


JOHN STEWART: Naval Captain, in uniform. 
Mezzotint. Open letter proof. Folio. 


R. W. LISTON; and two other portraits. 


Proofs before letters (2). Mezzotints. Folio. 
(3 pieces. ) 


RICHARD DUPPA: P. W. COKE, MP. 


SIR R. W. VAUGHAN, M.-P. 
Mezzotints. Folio. (38 pieces.) 


GEORGE CANNING, English Statesman. 


Full-length, standing, folded arms. Mezzotint after 
Lawrence. large folio. Fine proof before title, 
"1829. 


C. VERMEULEN 
Flemish Engraver. 1644-1702. 


H. MEYERCRON. Three-quarter length in Court 
dress. 


Line engraving after H. Rigaud. 


JAMES WARD 


DUKE OF CLARENCE. 


Mezzotint after M. A. Shee. Open letter proof, folio. 
* Full length in Court dress. 


WILLIAM WARD 


THE EARL OF CARLISLE. 
Mezzotint after Sir Joshua Reynolds. Open letter 
proof, folio. 


* Representing the Earl at the age of twenty in Court 
costume. 


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Madison Avenue at Fortieth Street 


The New Galler 


PO@UGLAS TAYLOR & CO., NEW YORK 


